STUDENTS

  • I am passionate about creating minimalist and appealing designs. My influences come from ephemera and branding that I see in everyday life. I make use of clean lines, bold typography, and high-contrast colors in my art. Whether I am designing for packaging, websites, or branding, I find that minimalistic design offers order and simplicity.

    Eliminating unnecessary ornamentation helps to clarify the messages that my designs communicate. My work isn’t complicated, rather, simplified in its composition. The motto “less is more” is something that resonates within my work. The simple visual instruction manuals for LEGOS are inspiring to me for their limited use of text.

    When starting a piece, I rarely sketch on paper. My process begins with digital typographic exploration and composition. I create a style guide to study color until I land on a color palette that captures the emotion of the product/brand. My goal is to design work that draws people in and creates a connection between the audience and the piece.

Kenzie Akins

  • I’m a multimedia artist with a focus on storytelling. I utilize materials such as paint, clay, charcoal, ink and bits of paper and glue to create a piece that makes people feel something. Whether it be a sense of sorrow or grief, rage or resentment, or joy or passion, I want people to feel it. The world is full of injustices, but it is also full of hope. I want to capture every moment. And whether it is telling my own experiences with what the world has to offer, or the experiences of others, I want people to be aware, want to learn more, and even inspire them to do what they can to make the world a little bit better.

Jesi Alexander

  • Kayla is an African American illustrator based in St. Louis, Missouri.
    She specializes in creating children's illustrations and young adult graphic novels/comics.

    She enjoy making positive, fun art that reminds me a lot of childhood. Reflect nature, animals, mid-western life, and memories of the mundane. She works with avariety of mediums from traditional to digital to create works of art.In 2021, she began attending Webster University working to receive a bachelor's in ART with an emphasis in illustration and a certificate in motion graphics.

    In the future, Kayla sees herself illustrating children’s books, graphic novels and concept art for video games.

Kayla Arnold

  • In "Web of Lies," I delve into the intricate nature of falsehoods, exploring their pervasive influence on our lives. Through this installation, I employ rope and string to construct a human-sized web. Within this tangible network, whispers of confessions echo, each revealing the weight of deception. As a Graphic Design major, I utilize visual representation as a means of grappling with intangible concepts.

    Lies are all-encompassing and can become a sticky web that is hard to get out of. This sentiment underpins the essence of my project. Each strand symbolizes a falsehood, weaving together to form a complex labyrinth of deceit. The size of the web corresponds to the magnitude of the lie, illustrating how larger untruths ensnare us in their intricacies.

    Through "Web of Lies," I invite viewers to contemplate the insidious nature of deception and its profound impact on personal and societal dynamics. By confronting the tangled reality of dishonesty, we can begin to unravel the complexities of truth and falsehood in our lives.

Syd Bailey

  • Religion is the most significant influence in my life. Recently, I've been experimenting with mediums outside my usual repertoire to express my spirituality. This shift has opened up a world of possibilities, allowing me to blend the straightforward with the abstract. Through this process, I've discovered ways to express my experiences and connection with God.

Faith Burgar

  • My job is top present interest Art. So much, so as you may feel there was more to the art than you originally thought.

Jay Bushey

  • I find great difficulty in showing and discussing my struggles with other people. For most of my life, there was a dissonance between how others view me and my lived experiences: I did well in school, I made friends with people in the neighborhood, and I obeyed my parents and authority. I did not consider myself abnormal in any way and certainly not someone with a mental illness. As I grew up, I became increasingly frustrated watching those around me tackle similar situations as me with much greater ease. Even now, as an adult, I struggle to come to terms with the reality of my situation. For me, illustration is a process of interpreting and exploring my symptoms. I use these works to channel my thoughts about mental illness and my symptoms into a productive outlet and share my feelings and experience with others. What I fail to articulate through words, positive or negative, I use my art to communicate for me.

Amy Corbin

  • I am a graphic designer and illustrator. I am drawn to vibrant colors and analyzing the world and culture that surrounds me. My brain works in a way that creates meaning and beauty for all walks of life. Whether that be the trash that gets left behind or the moments where joy is the only emotion that seems to exist. I think the human experience and the psychological aspects of it are two huge driving forces for my work.

Louise Cronin

  • My work draws from classic biblical texts such as Paradise Lost and The Divine Comedy and a more contemporary analysis of dualistic thinking. We often see things through the lens of black and white, good and evil. Reality is much more complex. This piece is a means of taking a faceless character and seeking understanding of them. I seek to not only deconstruct the traditional binary values of western storytelling, but to also challenge the ways we identify those around us. Oftentimes, an individual is not good, nor evil, but rather simply human.
    I use the modern medium of digital art and combine it with the centuries-old motif of gold leaf to evoke the classical age of illustration and the traditional icons seen in Judeo-Christian icons, using the margins and embellishments as ways to expand upon the story being told.

Ari Daniels

  • I see myself and my work as a microcosm of a larger ecosystem. Within my small system, conflicts, harmonies, and dualities work against and with one another, much like the universe at large. The mind, body, and spirit can often feel like separate entities but still compose a whole. There is relation, history, trauma, and growth that inform patterns, breakdowns, and build-ups. In times of separation, there may be integration; in times of cohesion, there may be friction.
    This work is greatly inspired by stained glass. It is an ode to my roots and the spiritual qualities of intuition, insight, and self-awareness. The translation connects the ethereal nature of stained glass to the earthliness of clay. In this piece, color is emblematic of both synchronicity and chaos within the movement and structure of form. I aim to reflect upon self, nature, and the metaphysical in all of their processes, abstractions, connections, and fragmentations.

Catie Deck

  • As a joint artist and writer, I mix numerous cultures and the futuristic with person and place to breathe life into worlds that interact with the fantastical and imaginative elements of the human mind. My work provides visual representations of fantasy/science fiction of my creation to bring more life to the characters and the narratives in which they find themselves. Through written archetypes such as the modernization of fairy tales and world-building, I work to construct realms that allow the viewer to connect and relate, both through their senses and on an emotional level. Within this type of storytelling, I work in digital, traditional, and paint media, while exploring influences including gender, sexuality, psychology, astrology, tarot, and consciousness. I make use of various cultural, physical, and subconscious aspects of the individual to illustrate vast concepts of what it means to be human and what it means to live in a reality defined by what the individual makes of it.

Tommy Ecker

  • The idea of grotesque and ungodly viewing points are the theme of my work either for 2D or 3D. The general viewing of my work is to get a reaction, to get a sense of uneasiness. By using body parts or inanimate objects to reflect a familiar feeling of hathos and morbid curiosity.

Drew Goodman

  • My art emphasizes the human form with its aim to capture not just the physical likeness but also the emotion of the moment. I use textures to create depth and movement, inviting viewers to feel the painting as well as see it. My work reflects the conscience and introspection, encouraging viewers to pause to reflect on the human experience. My works aim to capture moments as well as contemplation.

Avery Harris

  • Ezra House is a designer and illustrator embracing the two worlds of art and on a continuous journey to connect the two. As an illustrator, his focus remains queer love and embracing the joys of being queer. As a designer, he explores many different forms of design, play with type, and using illustration to further his projects.

Ezra House

  • Before I became a mother, I used myself as a subject in my photographs frequently— mostly because I was around and I had the time. After becoming a mother, my focus shifted rapidly. I was rarely in my photographs as it was a challenge to decipher the new balance between artist and mother, and, truthfully, I don’t think I would have recognized myself even if I was in the frame. I realize now that the reason I felt as though I didn’t know myself, was because my soul was in the process of evolving into a new being. I was in between stages of life— an interlude. This piece titled “reBirth”, is meant to represent the transformative process of becoming a mother. The same amniotic sacs that housed my children in my body envelope me as I am immersed in the waters of motherhood, becoming saturated in the motions— soon to be born again a new soul.

Mackenzie Howerton

  • In my work, I explore transformations and our relationships with them. My work embodies these transformations' expansive and restrictive nature, often referencing my identity as a nonbinary individual. I want to understand the forms and make-ups of my materials, from basic elements to their conception as an art piece. To mold them from their fundamental state of being into something new, in that way, my art imitates my life experiences.
    I work in a variety of media, never wanting to feel tied down to one concept for too long. I’m interested in the malleable nature of clay and metal, the reactivity of resin and plaster, and the tradition of paper and ink. Each of these materials informs the next and builds a library of skills and intrigue that create the body of work.

Moth Kellenberger

  • As a Graphic Designer, I am dedicated to crafting vibrant and captivating pieces that showcase my technical prowess and creative vision. Drawing inspiration from Constructivist design philosophy and employing bold color palettes, I strive to create immersive experiences that captivate audiences across diverse mediums.

    With each new project, my aim is not only to produce work I'm proud of but also to resonate deeply with my audience, sparking joy and curiosity. Whether I'm exploring digital illustration, print design, or experimental mediums, I am committed to pushing boundaries and refining my skills to accurately express my artistic vision.

    Looking ahead, I aspire to continue evolving as a designer, exploring new techniques and pushing the limits of my creativity. My ultimate goal remains constant: to create work that not only speaks to my soul but also leaves a lasting impression on those who encounter it.

James Less

  • In my artistic journey, I am guided by a profound belief in the therapeutic potential of creative expression. Through my work, I hope to merge artistic practice with healing modalities, inspiring others to embark on their own journeys of self-discovery and growth.
    Drawing and painting are my primary mediums, but I love incorporating many different forms of artmaking in my practice. At the core of my practice lies a reverence for the childlike whimsy that ignited my passion for art. It is this sense of wonder that infuses my work with joy, spontaneity, and a sense of freedom in what I allow myself to create. I hope that through this process I can eventually practice therapy centered in the act of creation in a world that wants us to consume. Through my art, I seek to empower individuals to express themselves freely and to recognize that art is an accessible means of positive transformation for all.

Madeline McPherson

  • James Baldwin once said, “The purpose of art is to lay bare the questions hidden by the answers.” This suggests that we, as artists, should create art that purposely makes us think, dig deeper into the understanding of what is laid out in front of us, and confront it. My artwork focuses on strong storytelling, stories of everyday life like my own, my identity, faith, culture, and unsung heroes that are not in the book.
    Occasionally, this leads to the questions that led me to create art in the first place. I use various media and disciplines, such as printmaking, painting, digital software, and recently fibers to get my points across. I appreciate the different perspectives and techniques that come with each one.
    My creation process involves stories, often dramatic stories like in the Bible. I believe my art is relatable, transparent, and often unique. I often insert loved ones, especially my spouse, and personal experiences. In Analyzing my work and practice, I welcome that I’m just a fraction of what I think about and create—like my DNA, Mixed as it may be but Rooted in Culture.


Kenya Mitchell

  • Mackenzie’s artwork typically centers around her personal experiences, reflecting moments and emotions from her past and present. Her artistic expression explores topics such as mental health, motherhood, and her ongoing journey with body image. Her work often manifests as 3D mixed media pieces utilizing found objects, clay, and resin. She is passionate about giving objects that would otherwise be discarded a new purpose in her art.

Mackenzie Orme

  • Creating art is putting yourself into what you’re making; personality, beliefs, aesthetics, looks, etc. This is especially true when doing character art; I, for example, put myself in my characters–through the colors I like to their personalities to their hobbies. I strive to not only make characters that others can see in themselves, but to include motifs that they will recognize. I do the same in the portraits I create. I try to make something not only beautiful, but understandable still with references to my inspirations: television, anime, games, etc.
    I like to work in a variety of mediums–pencil, marker, watercolor–but I always gravitate towards digital painting. I am constantly learning ways to handle the media I know to adapt it to my style. Ever changing and growing, in art and in life.

Paeton Pavia

  • For all of my artistic life I have wanted to explore different mediums making sure no stone was unturned in my artistic journey. I found my self gravitating toward different styles and mediums and as time went on including my use of animals as subject matter and art that I could physically touch and handle. While at community college I discovered printing making and fell in love with it. Being able to physically carve my art felt so rewarding to me and also hand print them at the same time giving each print its own unique look since not every print turns out the same every-time. When entering into Webster I used my knowledge of knitting and the usage of yarn to explore sculptures using these materials. While discovering these physical art techniques I still pushed myself to dive deeper into understanding drawing from life and proceeded to take all of the figure drawing classes I could. After exploring the anatomy of drawing people I wanted to use this knowledge to something that I had more interest in which were animals.

Elise Ritter

  • Hello, my name is Teddy Rosen and I am a queer illustrator and designer. As a Saint Louis native I cannot wait to expand my brand across the globe. Here in Missouri I've studied at St. Charles Community College where I received my AFA in Graphic Design and at Webster University, where I received my BFA in Illustration. I tend to explore topics of LGBTQIA+, mental health, personal situations and music in my work.

Teddy Rosen

  • An occupation with identity and the queer experience both unifies and diversifies what I create. Living as a transgender person is a beautiful, multilayered existence that I seek to embody through mixed media, illustration, and collage with found materials. Abstraction of gender roles, religious imagery, and moments of queer joy play a major role in the inspiration and making processes behind each piece.

Miles Santoscoy

  • As a multidisciplinary artist, I collect, curate, and reimagine familiarities. My practice and my daily life intertwine in a never-ending investigation of life’s hidden treasures and uncomfortable truths. In an attempt to observe life at its purest form, I am called to pay attention; to be familiar with my presence; to find comfort in what is here and lost. Through photography, color, and inherited materials I preserve my findings. In the end, I hope to reconnect the viewer with lost memories and the subtle harmony of being.

Jade Schrier

  • Grace Sedabres is a visual artist working in Motion Graphics, Concept Art, and Comics. They like to take their inspiration from the relationships between people and the world, focusing mainly on the meaning of family, childhood nostalgia and fading memories. Going on further into their career, they would love to get into Comics and Graphic novels about varying topics such as slice of life stories about their own life.

Grace Sedabres

  • My aim is to evoke nostalgia within my audience by spotlighting the significance of past memories, which serve as a constant wellspring of inspiration for me. Drawing strength and solace from my own personal history, I endeavor to channel this gift into the present, infusing everyday realities with poignant echoes of the past. Through my work, I seek to create a bridge between the familiar comforts of yesterday and the complexities of contemporary life, inviting viewers to rediscover the magic in mundane moments. By intertwining nostalgia with the present, I aspire to cultivate a sense of connection and resonance, inviting reflection on the timeless themes that shape our collective experiences.

Paris Spalding

  • Creating art can be the most versatile tool that humanity has to its advantage. Some find a bigger purpose within art or in what they create, but how personally expressive it can be and the process behind the work, has always been what has driven me to create. Creating for me helps me establish a memory-bank of my own emotions and experiences. Making art is when I feel the most authentic, and connected to myself. I have always viewed art as being the ultimate way to convey human experience, and although I create under the influence of my own interests, none of my experiences or emotional responses are singular to solely me. While I feel creating art is an expression of my own personal journey, I appreciate the ability that my work gives me to be universal enough to connect with others, and allow them to be able to interpret and understand a part of myself, through their own perspective.

Dakota Stout

  • There is an inherent rhythm within all living things. Within my practice, the soul keeps the body's rhythm, the rhythm being something innate that connects us to ourselves and each other. It is universal, necessary, uncompromising, and chronic. What I create is in constant and direct dialogue with that rhythm, in conjunction with many other
    aspects of the self. Through an ever evolving combination of personal somatic practices and electronic and time-based media, I attempt to explore these themes. It is important to note that, naturally, anything chronic brings suffering. I am not here to deny that giving up can feel good. There is a release there. I am simply suggesting that connection might feel better.

Bella Strawbridge

  • My work is a way for me to illustrate feelings or thoughts I had during a certain time in my life. I use symbols, lines, and colors to tell a “story” about my life through my perspective, to share my thoughts in the fragmented way I perceive them. Due to past experiences, my mind is flooded with an unhealthy mass of jumbled or fragmented thoughts with no clear relation between them. I want to understand more of the lines, colors, and figures that are in my mind, and I want to express what I saw or felt during my life events. My work consists of traditional and digital illustrations, printmaking, and ceramics. I used alcohol markers, colored pencils, soft pastels, ink, and various glazes. These materials allow me to be flexible with my work; I can create realistic drawings where I can obscure the details as much or as little as I want, but I can also use these materials to stylize my work. My work includes bright colors, lines, and shapes, to describe my inside thoughts and feelings.

Hannah Strupp

  • My art is meant to be something you can find comfort in, somewhere you can escape. Whether that’s through colors that are light and warm, to content that makes you feel welcomed in. I want my art to become an experience but also allow the viewer to connect on a deeper level to the pieces I create. I pray that as I continue to make art that my light and love for the Lord is what shines through more than anything.

Kylee Vawter

  • “A Language I Know” speaks to my life as second generation Filipino-American immigrant. It is both a lonely and beautiful experience, grasping for a semblance of connection to your culture, quickly being lost in the melting pot that is America. Growing up I didn’t realize how much I worked to assimilate with my peers, I spoke only English, something I have always regretted yet is such a common trait in Filipino-American children. I can never regain an experience but I can always try my best to learn more. In this piece I strived to reconnect with my culture through a language I know, Art, and truly showcase the pride and love I have for being born different.

Theresa Vercide

  • I use paint in assistance with a variety of materials and my own body to search and discover a sense of balance and harmony within each piece. My work thrives of variety in color, movement, and texture, which allows for an explorative and dimensional interpretive experience. I strive to develop a sensitivity for what a surface might need or lack, then attending to those shortcomings through the instinctual application of color or texture. This allows the piece to gain its own life, with functioning components like organs all in tandem. The work I create aims to always accept mistakes and impulsive movement as a welcome aspect of my process. I will take the physical act of binding or felting and incorporate it to feel as though I am holding or supporting the work. I also incorporate discovered and found objects in my work to develop a sense of relatability and recognizability. This creates a relationship between me and every piece i create. I feel connected to them and understand that their life both represents and may transcend my own and many others.

Margaret Wilkerson

  • My goal is to create more of the art I wish existed in this world, for myself and for others. A main theme in my work is sex and sexuality, mainly revolving around fat, queer, and disabled bodies. With my work, I hope to show others the beauty in things previously mocked or shunned, and bring joy and recognition to those who see themselves in what I do. My identity plays a heavy role in my work, as a queer disabled man. When bodies break down and betray, it’s important to remember the joy they can bring too.

Oliver Wiseman

  • As an unapologetic Muslim, Indian-American navigating the interplay of beauty and injustice in our universe, I believe in the transformative power of design to inspire action and enact change. My creative practice is driven by the integration of religion, culture, and activism. As an interdisciplinary designer, I do not confine myself solely to graphic design; I embrace any medium that allows me to push my creative boundaries further. Through my work, I seek to portray the beauty of spiritual empowerment and amplify the voices of marginalized communities. By navigating the intersection of art and advocacy, I hope to spark conversations, challenge perceptions, and foster empathy for a more inclusive and just society.

Naba Yasir

  • There's a fitting metaphor between food and art that vividly describes my artistic interest. It lies in the parallel between the process of creating food and the underlying thoughts behind my art making. Painting, to me, is akin to cooking—it's flavorful, brimming with passion and love. The fire and heat are so intense that possibilities burst forth with every decision making.

    As an artist dedicated to the visual world, I relish the narrative within paintings. It's not just about the visual experience stemming from the illusion of the reality I create. Nor is it solely about deriving pleasure from constructing stories through pictorial images. I also delve into the narrative within the colors and lines—a form of visual poetry.

    To me, the visual poetry dwells inside of the abstraction. And I use it to describe the myriad relationships existing in the world. Some are subtle, some are intense, some are literal, and some are conceptual. In essence, my paintings resemble fine cuisine, fostering deep connections, and mindfulness through perceptual experiences.

Neo Ye